FAQ

EXPERIENCE

  • As an Acrobatic Performance Specialist, I direct the of designing and refining of movements to be intentional rather than just impressive. I guide how movement lives inside an act or production by ensuring it breathes within the narrative, space, and collective work. My work encompasses safety, rehearsal systems, performer coaching, and creative integration. Acrobatics should never feel inserted; it should feel purposeful.

  • Movement direction or design responds to environment, narrative, and the whole space. While choreography is an element within, movement direction considers the entire ecosystem of performance such as the bodies, the apparatus, and physical space. In my work, movement design ensures that athleticism serves artistry, and artistry respects the human body.

  • I eliminate the physical, logistical, and creative strain that occurs when performers are integrated without a formal structure. Within my Expertise, I provide clarity for:

    • Creative Cohesion: 
      Ensuring the physical language is expressive of the story.

    • Sustainability: 
      Designing sequences that support performer longevity.

    • Risk Management: 
      Implementing safe progression and technical verification. 

    • Systems: 
      Developing rehearsal structures that work for complex integrations.

EXPERTISE

  • My career spans more than 25 years in live performance, including performance and leadership roles for world-class productions like Cirque du Soleil and Dragone Entertainment Group. These environments shaped my understanding of precision, scale, and performer care at the highest level. I leverage this history to bring elite-level standards to every project I consult on.

  • I partner with directors, producers, designers, and performers who are looking to integrate acrobatics and live performance into professional productions. Whether a project requires intimate act refinement or leadership across complex rehearsal systems, the common thread in my Experience is a commitment to intentional, high-caliber performance.

EXCHANGE

  • For maximum creative alignment, it is best to involve a specialist during the initial conceptual phase.  Early involvement in the Exchange allows us to align creative ambition with physical reality, reducing risk and preventing unnecessary revisions. However, I can also enter existing productions to refine intention, strengthen cohesion, and validate best practices.

  • Every collaboration is grounded in honesty and begins with a conversation to clarify scope, artistic intention, and logistical realities. My involvement typically includes movement design, rehearsal structure development, and creative leadership tailored to the specific needs of your production.

  • Yes, I provide both on-site international direction and strategic remote consultation for global projects.  My career has been international by nature, and I continue to collaborate with teams worldwide to bring their visions to life.

  • The first step is an Exploration Call to discuss your project’s vision and objectives. If you are developing work that integrates acrobatics or physical storytelling, visit the Exchange page to share your details. From there, we will determine how my Expertise can support your goals.

EVOLUTION

  • My approach is defined by a multidisciplinary foundation in acrobatics, visual art, theater, fashion, and athletics. This allows me to see performance holistically, considering composition, texture, and pacing alongside technical rigor. My Evolution has taught me that performance and aesthetic are not separate but are built together.

  • Human-centered performance is an approach that prioritizes the longevity, sustainability, and emotional presence of the performer. In my work, I have seen that the most powerful performance emerges when the performers feel structurally secure and prepared.